A World for All is an exhibition design project that translates political history and moving images into spatial experience. Conceived for the exhibition Zero Gravity World at the Seoul Museum of Art, the project explores how architecture can frame collective memory, perception, and bodily movement.

Responding to video works by international artists, the installation constructs a series of tilted floors, ramps, and suspended screen structures that subtly disrupt the visitor’s sense of balance and orientation. Gravity—normally an invisible constant—becomes an active spatial condition, guiding how visitors walk, pause, and encounter images. Through these physical adjustments, the exhibition space transforms into an arena where the body becomes aware of power, resistance, and instability.

The project treats exhibition architecture not as a neutral container but as a mediating device between artwork and audience. Screens are arranged in angular sequences, choreographing circulation and sightlines while allowing images to enter, overlap, and pass through space. Structural frames remain exposed, emphasizing process, temporality, and the constructed nature of both space and narrative.

Rather than offering a single, fixed viewpoint, A World for All invites multiple readings—spatial, political, and personal—suggesting that history is not something to be observed from a distance, but something continuously re-entered and re-negotiated through movement and experience.